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Gan, L. H. (2024). Freedom and Transcendence: The Existential Aesthetics of the Opening Ceremony of the Paris Olympics—What Kind of Olympics Do We Need in the Post-Pandemic Era? Cultural and Artistic Research, 4, 5-6.

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• TITLE: Conflict and Integration: Humanistic and Sociological Analysis of the Paris Olympic Games

  AUTHORS: Yong Xiao

  KEYWORDS: Paris Olympics, Religious Culture, Political Conflict, Gender-Diverse, Stimulants, Fan Culture

  JOURNAL NAME: Advances in Applied Sociology, Vol.16 No.2, February 10, 2026

  ABSTRACT: From a sociological point of view, the Paris Olympics is not only a stage for sports competition, but also carries profound social conflicts and cultural integration. Whether it is the conflict between religious culture and multiculturalism in the context of globalization, social class differences, or the identity of gender-diverse athletes, the influence of political conflicts on athletes, and the influence of “fan culture” all reflect the complexity of today’s world society. By understanding these conflicts and integrations, we can better understand the sociological significance of the Olympic Games and explore how to achieve multi-cultural harmony between humanity and nature in the era of globalization.