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Goldblatt, H. (2004). Border Crossings: Chinese Writing, in Their World and Ours. In C. Dale (Ed.), Chinese Aesthetics and Literature. State University of New York Press.

has been cited by the following article:

• TITLE: Creative Treason in Howard Goldblatt’s Translation of Radish

  AUTHORS: Qinlin Wu

  KEYWORDS: Creative Treason, Howard Goldblatt, Radish

  JOURNAL NAME: Open Journal of Modern Linguistics, Vol.15 No.3, June 20, 2025

  ABSTRACT: English translators play an important role in promoting contemporary Chinese literature worldwide. Mo Yan’s 2012 Nobel Prize for Literature owes, in part, to Howard Goldblatt, his English translator. The “faithfulness vs. rebellion” debate in literary translation has always been ongoing, with the “creative treason” theory providing a solution. Based on the theory of creative treason in comparative literary translation, the article analyzes Howard Goldblatt’s translation of Mo Yan’s novella Radish, to argue that the translator purposefully and creatively develops the expression of the original text. The analysis covers personalized translation, mistranslation, and omission, highlighting how creative treason exists in literary translation. The thesis also explicates Howard Goldblatt’ s personalized translation style, and provides reference values for literary translation.