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Chun, W. and Choi, A.Y. (2022) Analyzing the Layout Design of the Huanghai’s Movie Posters Context to the Visual Elements of the Culture Code Brand Design (CCBD) Methodology. In: Martins, N. and Brandão, D., Eds., Advances in Design and Digital Communication III. DIGICOM 2022, Springer, 615-626.
https://doi.org/10.1007/978-3-031-20364-0_52

has been cited by the following article:

• TITLE: Feminist Perspectives in Multi-Modal Discourse Analysis: The Case of the Barbie Film Poster

  AUTHORS: Lulu Chen

  KEYWORDS: Visual Grammar, Barbie, Feminism

  JOURNAL NAME: Open Access Library Journal, Vol.12 No.4, April 10, 2025

  ABSTRACT: Movie posters are designed to be short, clear, and attention-grabbing, with visual elements like movie scenes taking precedence. The meaning of a poster is conveyed primarily through these visuals. This analysis of the Barbie poster aims to understand the rationale behind its design elements. The study concludes that the Barbie movie poster uses visual elements to emphasize Barbie as the central, empowered figure, aligning with the film’s feminist themes. The strategic use of color, positioning, and interaction reinforces the redefinition of traditional gender roles, presenting Barbie as a multifaceted, autonomous character.