has been cited by the following article(s):
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[1]
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Breath-Intentionality in rhythm pedagogy: a cross-cultural framework bridging western embodiment theories and Chinese aesthetics
Cogent Education,
2026
DOI:10.1080/2331186X.2026.2655017
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[2]
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The aesthetic triad and traditional Chinese art symbols: a theoretical framework
Frontiers in Psychology,
2026
DOI:10.3389/fpsyg.2026.1789978
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[3]
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Realm of blank space: from Chinese brush painting to music appreciation
Trans/Form/Ação,
2025
DOI:10.1590/0101-3173.2025.v48.n3.e025020
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[4]
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Soundscapes of Education
2025
DOI:10.1007/978-981-96-8241-6_4
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[5]
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Tradition and innovation in Henan Opera: An ethnographic study of Chen Suzhen's artistic legacy and the aesthetics of performance
Multidisciplinary Science Journal,
2025
DOI:10.31893/multiscience.2026254
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[6]
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Empirical exploration of the “yijing” model: a case study on the relationship between physical environment, emotional atmosphere, and place identity
Journal of Asian Architecture and Building Engineering,
2025
DOI:10.1080/13467581.2025.2575268
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[7]
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Appreciation and Dissemination of Chinese Paintings from a Cross-cultural Perspective Based on Information Diffusion Modeling
Applied Mathematics and Nonlinear Sciences,
2024
DOI:10.2478/amns-2024-2224
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[8]
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The Doctrine of the Mean: Chinese Calligraphy with Moderate Visual Complexity Elicits High Aesthetic Preference
International Journal of Human–Computer Interaction,
2022
DOI:10.1080/10447318.2022.2144864
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